|Microphone Frequency Response||40Hz-18kHz|
|Specification||Transducer Type: Condenser, Pressure Gradient With USB digital output Polar Patterns: Cardioid or Omnidirectional Sample/word Rate: 44.1kHz / 16 bit Weight: 1.02 lbs. System Requirements Windows Windows Vista, 7, 8 (or newer) USB 1.1 / 2.0 (or newer) 64 MB RAM (or better) Macintosh Mac OSX (10.4.11 or higher) USB 1.1 / 2.0 64 MB RAM (minimum)|
|特点||Unique two-condenser-capsule design for capturing vocals, music, podcasts, gaming and more Cardioid, omni, and cardioid with pad pickup options Includes fully adjustable metal mic stand and USB cable Plug and play with Mac and PC Available in textured white, gloss black and chrome|
Finally, a USB mic that's not only easy to use, but sounds as good on your desktop as it does in a professional recording studio. Meet the Snowball; the world's first professional USB mic.
Whether you're recording a guitar at your kitchen table or a complete band in the studio, the Snowball can capture it with detail unheard of before in a USB mic.
Snowball and Snowflake can be used to record on iPad via Apple's camera connection kit (USB-to-30-pin) or the Lightning to USB camera adapter! Using these adapters, you can get Blue’s studio-quality audio on your iPad with any recording app, including GarageBand.
The Snowball is a direct plug n' play mic that connects to either a Mac or PC - no additional software is needed. With its dual capsule design and unique three-pattern switch (cardioid, cardioid with -10dB pad and omni), the Snowball can handle everything from soft vocals to the loudest garage band - and it's ideal for podcasting.
|Transducer Type||Condenser, Pressure Gradient w/USB Digital Output|
|Polar Patterns||Omnidirectional or Cardioid|
|Frequency Response||Position 1-3: 40-18kHz|
|Sample/Word Rate||44.1 kHz/16 bit|
PC: Windows 8, Windows 7, Windows Vista, XP Home Edition or XP Professional
USB 1.0 or 2.0; 64MB RAM (minimum)
Macintosh: Mac OSX
USB 1.0 or 2.0; 64MB RAM (minimum)
For more information on Windows 8, Windows 7 or Vista compatibility, visit the Snowball FAQ.
The Snowball is a revolutionary microphone. Leave it to Blue to reinvent the wheel... err, microphone once again! With USB connectivity, it has never been easier to get live audio into your Macintosh or Windows desktop or laptop. Just plug it in, adjust your input level and you're up and running.
The Snowball is a condenser, which, according to the audio wonks we know, has a smooth open sound with a nice, natural high-end.
No. The Snowball derives its operating voltage from something called bus voltage, which is always present on your USB port. As long as the red LED is glowing, you know you've got power. The Snowball does not require batteries.
Yes, Snowball is currently Windows 8, Windows 7 and Vista compatible. Older Snowballs manufactured from July 2007 to January 2009 with serial numbers lower than 76-065000 are not Windows 8, Windows 7 or Vista compatible. (Snowballs manufactured after January 2009 do not have serial numbers.) Snowball is plug-and-play and does not require drivers.
Technically, no. Depending on your application, your OS may have sufficient features to utilize the capabilities of The Snowball. But, to get the most out of your Snowball, you'll want to have some kind of software that allows for digital signal processing and non-linear editing that will accept audio from the USB port. Some examples of these programs are listed below.
No. The Snowball features digital output only. It must be connected to a USB port in order to function. What sample rate and word length does The Snowball use? The Snowball's digital output is set to 44.1 kHz / 16-bit, just like an audio CD. But this is something that only audio geeks really need to worry about.
Because The Snowball is designed for the greatest ease of operation and setup, sample rate / word length are not user-definable. Sorry, geeks.
These are the two polar patterns The Snowball is capable of producing. If you think of polar patterns as the shape of the area that a microphone "hears" omnidirectional hears everything at equal volume from all angles (in a 360 degree sphere surrounding the mic), while cardioid only hears what's right in front of it at full volume and other sounds at increasingly diminished volume as the sound source moves further away from the center of the mic (audio techs call this off-axis). You should care because one of the most useful features of a microphone is the ability to control its pickup. We like polar patterns so much, that some of our professional studio microphones have as many as nine different patterns! With The Snowball, we've given you the two most likely to be useful to you.
Is it a vocal mic, an instrument mic or both? The Snowball was designed to provide a wide range of applications where a high-quality transducer (a fancy way to say microphone) is needed, but so is ease of use and setup. Though most professional engineers prefer certain microphones for certain applications, we designed The Snowball for use with a wide variety of sources. Here are some suggested applications we came up with when we were locked in Blue's patented anechoic think tank: instrument and voice for music production / pre-production / demos, DV-looping / dialog, podcasting, sound effects, audio sampling, interactive programming, video sweetening / post, internet telephony, internet conferencing, recording lectures, poetry slams, spoken word performances and speeches by your favorite politician-- generally anywhere where you need an easy-to-use microphone and you have access to a computer with a USB port. Happy recording!
No. This is one snowball that won't melt!